kuniga.me > NP-Incompleteness > Subharmonic Functions
14 Dec 2025
Frigyes Riesz was a Hungarian mathematician. He was born in Győr in 1880, then part of Austro-Hungarian Empire, and today’s Hungary. He was a professor at Franz Joseph University of Kolozsvár.
After the Treaty of Trianon, in which portions of the kingdom of Hungary went to its neighbors, Kolozsvár became part of Romania and renamed Cluj. The University moved to Szeged, becoming known as Szeged University where Riesz continued to lecture. The one in Cluj was renamed to Dacia Superior University, but today is called Babeș-Bolyai University.
Frigyes is considered one of the founders of functional analysis and has many theorems named after him, such as the Riesz–Fischer theorem and the F. and M. Riesz theorem, which is also named after his brother Marcel Riesz. One of the concepts Riesz came up with is the subharmonic functions, which we study in this post.
Recall that harmonic functions [2] are defined as:
\[\Delta f = \frac{\partial^2 f}{\partial x^2} + \frac{\partial^2 f}{\partial y^2} = 0\]If we restricted this equation to one dimension, it would be:
\[\frac{\partial^2 f}{\partial x^2} = 0\]If we integrate twice, we get back a function $u(x) = Ax + B$, which is a linear function. If the domain of this function is the inverval $[a, b]$ and if we’re given $u(a)$ and $u(b)$, we can compute $u(x)$, in the same way a harmonic function in 2-dimensions can be calculated from the boundary of its domain.
In 1-dimension, let $f$ and $u$ be functions in the domain $[a, b]$ with $u(a) = f(a)$ and $u(b) = f(b)$, with $u(x)$ being a linear function. Then $f$ is called convex if it doesn’t exceed $f(x) \le u(x)$, for example:
Note that in this definition the linear function $u(x)$ itself is considered a convex function (it’s also concave) which is thus a more general property than linear functions.
If we generalize this to 2-dimensions, the linear function becomes a harmonic function and the convex function will be defined as a subharmonic function.
We can formalize the intuition described above.
Definition 1. Let $v(z)$ be a real-value continuous function defined in a region $\Omega$. Then $v(z)$ is subharmonic in $\Omega$ if, for every harmonic function $u(z)$ in $\Omega’ \subset \Omega$, having $v(z) \le u(z)$ for $z \in \partial \Omega’$ implies $v(z) \le u(z)$ for $z \in \Omega’$.
In other words, if $v$ is subharmonic, and it doesn’t exceed an harmonic function $u$ at the boundary of its domain, then it doesn’t exceed it inside the domain either.
An equivalent definition that will be more useful later is the following:
Lemma 2. Let $v(z)$, be a real-value continuous function defined in a region $\Omega$. If, for every harmonic functions $u(z)$ in $\Omega’ \subset \Omega$ the function $v - u$ satisfies the maximum principle in $\Omega’$, then $v$ is subharmonic.
Note: I’m only able to prove this if not satisfying the maximum principle means there’s a point $z \in \Omega’$ such that $v(z) - u(z) \gt v(w) - u(w)$ for $w \in \partial \Omega’$, that is, strictly greater as opposed to $v(z) - u(z) \ge v(w) - u(w)$.
Corollary 3. Every harmonic function is subharmonic.
This follows from Definition 1 since if we replace $v$ by $u$ it satisfies the equations on the equality.
There’s an analogous definition of superharmonic function which we’ll not discuss, but it’s possible to show that a function that is both subharmonic and superharmonic is harmonic.
Before we continue, let’s introduce the Poisson Integral. For any continuous function $U(\theta)$ for $0 \lt \theta \lt 2 \pi$ we can define the Poisson Integral as:
\[P_U(z) = \frac{1}{2\pi} \int_{0}^{2\pi} \Re \left[ \frac{z_0 + re^{i\theta} + z}{z_0 + re^{i\theta} - z} \right] U(\theta) d\theta\]Now let $v$ be a subharmonic function in $\Omega$ and let $D$ be a disk of radius $r$ and center $z_0$ contained in $\Omega$. Suppose $U$ is defined to be equal to $v$ at the circumference of the disk, that is $U(\theta) = v(z_0 + re^{i\theta})$. We can denote it by $P_v(z)$ as:
\[(1) \quad P_v(z) = \frac{1}{2\pi} \int_{0}^{2\pi} \Re \left[ \frac{z_0 + re^{i\theta} + z}{z_0 + re^{i\theta} - z} \right] v(z_0 + re^{i\theta}) d\theta\]It’s possible to show the Poisson integral is a harmonic function and that $\lim_{z \rightarrow w_0} P_v(z) = v(w_0)$. With these, Lemma 4 shows that $v(z) \le P_v(z)$ inside $D$.
Lemma 4. Let $v$ be a subharmonic function and $P_v(z)$ be the Poisson integral as defined in $(1)$ for a disk $D$ centered in $z_0$. Then
\[v(z) \le P_v(z)\]for $z \in D$.
Note: It might seem that Lemma 4 follows directly from Definition 1, if we replace $\Omega’$ with $D$ and $u$ with $P_v$, since it seems to be that $v(z) = P_v(z)$ in $\delta D$ (i.e. the circumference of the disk), but $P_v$ is not defined in $\delta D$, so we need a different approach. But as we can see, having $\lim_{z \rightarrow w} P_v(z) = v(z)$ for $w \in \delta D$ also suffices.
Lemma 5. A continuous function $v(z)$ is subharmonic in $\Omega$ if it satisfies:
\[(2) \quad v(z_0) \le \frac{1}{2\pi} \int_{0}^{2\pi} v(z_0 + re^{i\theta}) d\theta\]for every disk $\abs{z - z_0} \le r$ contained in $\Omega$.
Lemma 6. If the Laplacian of a function is greater or equal than 0 everywhere, then it’s subharmonic.
Note that a positive Laplacian if $v$ implies that $v$ is subharmonic but the other way around. However, if $v$ has partial derivatives of first and second orders, it’s possible to show this other direction is also true.
From Lemma 5, because integrals has the linearity property we can conclude that:
Corollary 7. Let $v$ be a subharmonic function and $k \ge 0$ a scalar. Then $kv$ is subharmonic.
Note that if $k \lt 0$ it doesn’t work because it changes the inequality $(2)$.
Corollary 8. Let $v_1$ and $v_2$ be subharmonic functions. Then $v_1 + v_2$ is subharmonic.
Similarly, this doesn’t necessarily hold for $v_1 - v_2$ because of the inequality sign.
Lemma 9. Let $v_1$ and $v_2$ be subharmonic functions. Then $\max(v_1, v_2)$ is subharmonic.
Lemma 10. Let $v$ be a subharmonic function in $\Omega$, $D$ be a disk contained in $\Omega$ and $P_v$ the Poisson integral as defined in $(1)$. Let’s define the function $v’$ as:
\[\begin{equation} v'=\left\{ \begin{array}{@{}ll@{}} P_v, & v \in D \\ v, & v \in \Omega \setminus D \end{array}\right. \end{equation}\]Then $v’$ is also subharmonic.
I found the concept of subharmonic and superharmonic functions as the half parts of a harmonic function interesting. This same pattern can be seen with convex and concave functions which together form a linear function, or that $a \le b$ and $a \ge b$ together imply $a = b$.
The book also mentions that continuity is not strictly necessary to work with subharmonic functions: we can relax it to upper semi-continuous functions. The counterpart of upper semi-continuous functions are the lower semi-continuous functions and like the examples above, a function that is both upper and lower semi-continuous is continuous.