kuniga.me > Books > The Tempest
The edition I got is from the Cambridge School Shakespare, edited by Rex Gibson. Along the main text, it contains lots of commentary explaining and summarizing it, but also discussing about related topics, and propositing activities if one were to act this play.
Overall I wasn’t able to appreciate the plot or the characters. I found did find some bits interesting:
Caliban worships the god Setebos, also the name of a deity of the Tehuelche people of eastern Patagonia. Shakespare wrote the play around 1611, during which Europe started exploring the Americas, so he knew about the cultures being contacted by Europeans.
The whole setup of a remote tropical island with Caliban as a native is likely inspired by the discoveries of the New World. In fact, it’s possible it’s based on a real event in which a ship sailing to Virginia got stranded in Bermuda.
At some point Miranda exclaims: “O Brave New World”, which was then used as the name of the book by Huxley.
At some point one of the crew, Gonzalo, makes a suggestion of starting an utopian society where everything in shared. The book suggests this was inspired by Montaigne’s Cannibal, where he discusses the noble savage.
There’s allusion to colonialism in the roles of Prospero as the colonizer and Caliban (and Ariel) as the colonized.
The complex relationship between them, with Caliban (and Ariel to a lesser extent) resenting Prospero but also depending on them, was used as an analogy by Frances FitzGerald in Fire in the Lake. In fact the main reason I was interested in this book was to get a better cultural reference.